Spring 2005
In This Issue:
Trip of a Lifetime
Canadian Linda Fair recycled by choice until she had to recycle by
necessity. The switch came abruptly on the day she left an abusive
husband with a "sled" she fashioned from an adult-size three-wheeled
bicycle that had previously been used in a factory. Along with her
bicycle, she had a little trailer made from recycled wheelchair wheels
that a neighbor built and had previously used to deliver flyers, five
dogs (one rescued from a soon-to by destroyed litter; the others
rescued from unsafe, unhealthy or abusive conditions), and two dimes
and a nickel in her pocket. When she first set out, it was a flight
from danger . "My only goal was to get out of there in one piece," she
said. After a few hours, she decided to realize a long-time goal of
crossing Canada by dog team because that would provide an excuse for
their wanderings. "With no job, no savings, and no home, it seemed the
only way to keep us all together," she said.

The six of them traveled cross country on the shoulder of the
Trans-Canada highway and covered 5,000 miles in four years (243 dog
travel days). The first 3,000 miles en route they all slept in a tent,
and Fair picked up bottles to trade for cash to buy food for the dogs.
During the four-year trip, Fair put her hobby of survival camping to
good use. They ate road kill, wild strawberries, bullrush shoots and
dandelion greens to name a portion of their colorful menu. The
experience wasn't all back to nature -- Fair received gifts of food
from people along the way, stopped to take a job as a curator in a
historic mansion for three months, was interviewed for radio and
television several times and counseled other abused wives, and met her
new husband who had heard about her and wanted to meet her. Today she
is writing a book about her adventures, gives dogsled tours, and makes
rustic furniture. Her husband builds sleds and furniture from waste
wood. Here is an excerpt from the book-in-progress, published with
Linda Fair's permission.
The dogs wore booties nearly
every day, to protect their feet from wear on the pavement and sharp
pieces of broken glass. If things went well the boots would last two
days, said Fair, or maybe two hours on a bad day. Each night, often by
candle light, Fair mended booties for two hours. They were carefully
washed at each laundry stop. "Dogs have smelly feet too," she said.
Fair made the first booties from rags tied with strings made from an
old inner tube which she bound to the booties with binder twine. En
route additional booties were donated by well-wishers and bootie
companies.
Manuscript Excerpt
Binder Twine: The Gift That Keeps On Giving
The perfect gift was the first gift I received on this trek: binder
twine. The farmer would have otherwise thrown it away, but to me it was
a perfect gift.
Since that day I've braided the binder twine for rope, I've used it to
tie sticks onto the Mushmobile for extra carrying spots. It's been used
to tie my hair, and for clothesline inside a golf and country club.
Part of it became an early warning perimeter alarm when we were
threatened by some nut who wanted to shoot the dogs. Some of it I wear
around my neck, with my knife, watch and whistle where they can be
easily found, rather than patting through pockets.
In memory of this first gift and the many others we all receive from
farmers everyday, I try to repay as I go. When I gather firewood from
the edge of a field, I try to break off dead dry branches that might
otherwise poke a poor tractor-bound farmer in the eye in haying season.
I take roots to burn from plowed fields, so they don't tangle in farm
equipment, and I pick and eat weeds that might otherwise become dockage
in a crop. As I camp often on farmer's field access roads, I make sure
I burn or bag all of my refuse and anyone else's I find nearby. This is
called thoughtfulness and consideration for others, and is practiced by
many of the people we meet. It is only one of the reasons that Canada
is such a great place to live.
P.S. My mittens are hanging to dry by pieces of the same binder twine,
after dog sledding this morning.

A page-wire fence is a wonderful place to dry and sort booties.
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Wrap Artist

An assortment of John Boak's wrapped art.
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John Boak is a painter, graphic designer, web designer... and wrap
artist. Wrap Art, a system Boak has evolved over twenty years,
consists of wrapping presents in materials other than the usual forms
of wrapping paper in unusual ways. It is an improvisational art,
relying on a pursuit of contrast over conventions and neatness.
Contrast of texture, of color, of light and dark and of materials are
the essence of wrap art.
One basic technique of Wrap Art, said Boak, is to of use more than one
piece of paper to wrap. The first piece paper that covers an object
halfway. A second piece finshes the basic covering. Then you cover the
join with folded paper, twine or leftover ribbons which is attached
with a glue gun.
For materials, use shopping bags (ones with print are interesting--you
can cover some of the letters and form new words), newspapers (foreign
ones with colored pages are especially good), marketing brochures and
posters, magazine pages, colored paper and butcher paper. While he
does not purchase foil paper, Boak has used rolls that he finds in a
dumpster near his home and likes to combine it with tissue paper or
brightly patterned paper.
The Outer Package, A Collage: The collage is fragments of brochures and flyers that came in the mail. The "bow" is made of thick white paper strips glue gunned in place. A ring of fat cord, taken from a shopping bag, is glued around the base of the bow; it pushes the white strips up. |
White Wrap and Drawing: Using felt
tip markers, Boak drew both the bow and simple repeat pattern on plain
paper.
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The system is simple. He lays out a work area with papers, glue gun, a
glue stick, double-sided tape, pens and decorative elements and then
plunges in. He keeps adding paper and decorations "until it feels
right," he said.
Don't worry about neatness. "The back of the package can be ugly,"
Boak said. "I call it the backstage; real backstages rarely look that
good. Also, you don't have to be perfect. Perfect craft take the fun
out of wrap art for many people. For those of you who are naturally
neat, don't let me stop you."
For further examples and instructions, see our craft page.
Exhibitions
Trashformations East

Illustration: English/Irish Teapot made of teabag wrappers by Donna Rhae Marder
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Transformations East is a new exhibit of art objects at the Fuller
Craft Museum in Brockton, MA featuring works made by 112 East coast
artists who have discovered creative uses for discards. These
craftspeople have come up with some startling ideas - a necklace of gun
triggers, jewelry from expired coupons, lingerie from soda cans and
furniture made from unusual materials from skis to lawn mowers, just to
name a few. Not all are practical (like the dress made from inner
tubes), but all are creative.
The exhibition is curated by Lloyd Herman, founding Director of the
Smithsonian Institution's Renwick Gallery and is held from January
15-May 1, 2005. A catalogue is available for $22.00 plus $6 for shipping and handling from the Museum Shop by phone (508)
588-6000 x100 or email: shopandrental@fullercraft.org. After it closes,
the show will travel to other museums; the schedule is not yet
completed and will be posted on the Fuller Museum's website:
www.fullercraft.org
If you know of a current exhibition featuring or including art
incorporating discarded materials, please let us know and we will add it to the list.
Web Citings
Build a Better Birdhouse
Trying to figure out what to do with lumber scraps? Try your hand at
building a bird house in less than three hours (NOT the kind you made
in grade school). Complete directions available at
www.naturalhandyman.com/iip/infplans/infhourbirdhouse.shtm
Recycled Art Show -- Call to Entry
Deja Vu All Over Again, an art and fine craft show featuring artists who reused and recycle materials, will be held in
downtown Columbus, Indiana on Saturday, April 23. The juried, state-sponsored exhibit is open to professional and non-professional artists.
There are no application fees and no merit awards, but at least $1,000 will be spent to purchase work created by participants.
Visit Deja Vu All Over Again
to download an application form. Entries must be postmarked by March 19.
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